Not very many people know how many mixes go into creating that “perfect” mix for an album. Michael Jackson’s song “Thriller” is definitely one of those songs, which was originally titled “Starlight.”
So this Halloween include “Starlight” in your playlist, especially if you’re having a Halloween party, and watch all your friends trip out when they realize it’s not “Thriller.”
Below is a video of Bruce Swedien, Michael Jackson’s mixer and engineer, explaining some of the processes behind the making of “Thriller.” I’ve also included “Starlight” for your enjoyment.
This week’s MIXTAPE OF THE WEEK + is up. “Rad America” by Taz Arnold is a psychedelic soundscape that is not for the average music listener, but if you are the average music listener then I challenge you to listen to this mixtape. My favorite and in my opinion the best track from this tape is “Let Me See (What You On Girl).” This track has a jazzy feel reminiscent of 90’s backpack rap. Regardless, if you are an artistic, creative individual who can appreciate art in its many forms, then you will appreciate this music.
I always thought this song was cool, and I am surprised that I have never heard a Hip-Hop track utilize this song as a sample. When you stop to think, most Bond film theme songs have never been sampled for major tracks, yet they have so much to offer musically. We mustn’t forget that Kanye West sampled the title track to the Bond film “Diamonds Are Forever” for his song “Diamonds from Sierra Leone,” which was an awesome song about the horrible situation in Africa involving blood diamonds. However, there’s a history behind “Never Say Never Again” that seems to make this track more interesting.
First of all, this song was made for a James Bond movie remake of the film and book “Thunderball.” What’s funny about this film is that it was not counted as an official Bond film because it was made by a different production company than the other films. Kevin McClory, one of the members of this production company and one of Thunderball’s original writers, was able to retain filming rights for the story, making him able to remake this film. They were also able to persuade Sean Connery to reprise his role as James Bond after a long hiatus from the character. Now that you have some movie background, let’s get into the song history.
The first title track for this movie was recorded by Phyllis Hyman, and has a slower, mellow vibe. This version, written by Stephen Forsyth and Jim Ryan, was never released due to legal issues. The writer for the film’s score, Michel Legrand, claimed he had the rights to the title song, and threatened to sue Forsyth and Ryan. Legrand composed his own version of the song, featuring Lani Hall, which was eventually used for the film.
The video for the Lani Hall version may seem cheesy, with low production quality, but her voice is so dreamy! I’ve always thought that the best Bond Theme Songs came from those films starring Sean Connery. Hopefully a music producer jumps on this song quick and creates a beautiful melody with Hall’s voice.
This past Thursday in Riverside, CA was a night for young fashionistas and professionals to mingle, socialize, and share their vision for fashion. I was not able to attend this Social Mixer, but here is a link to a beautiful article on the event: http://www.socialculture.com/articledetail.php?aid=czoyOiI4NiI7
I’ve been lagging on posting the MIXTAPE OF THE WEEK + on time, but not this week. This week’s mixtape comes from SAP(DA BEAT MAN), co-producer of The Game’s “Celebration.” I started following his career when I came across Jahlil Beats awhile back, way before they all blew up. SAP’s career is headed in the right direction, and I’m excited about his new projects, especially the beats on this mixtape. In case you were wondering, the instrumental to The Game’s “Celebration” is included on this mixtape, giving you the opportunity to work on your freestyle skills. You can get the mixtape here: https://freshcliniclife.com/music/mixtape-of-the-week/.
Taking the time to drop this video. Love the song, everyone’s having a good time in the video, all the rappers are on point. Wiz’s lines are short, and the Bone Thugs sample is sick.
This week’s MIXTAPE OF THE WEEK + comes from Los Angeles’ own Tyga. I can’t decide whether this is better than is last mixtape effort, “#BitchImTheShit,” but I’ll let ya’ll be the judge of that. Love the Rachet sound sprinkled through this mixtape, and Tyga never let’s me down with his flow. His lyrics could be better, but remember that sex and fun, party type music is what sells in this industry. I’m not mad at Tyga one bit, and wish him the best in his career. He’s doing his best to bring us hot music, and his Careless World documentary series on his YouTube channel, TygaTygaTV, proves just that.
If you haven’t heard this already, then you should have. Slow Down by Clyde Carson is taking the West Coast by storm, and it’s just barely making headway in Southern California from its Bay Area origins. Hopefully SoCal can get everyone in the clubs to dance to this the way they do in the Bay, with large groups of people all doing the dance and having a good time. NO WALLFLOWERS! I’ve mastered the dance effortlessly, and I encourage everyone else to do the same. Makes going out to clubs and parties more fun and less wack!
These kids in Southern California never cease to amaze me. I’ve been trying to find out the true definition of a Whoop! I have an idea, but if anyone can define it for me your assistance would be most appreciated. I’m probably going to be using this word more often now.